日本演劇学会
Contents of THEATRE STUDIES
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Number 38. (2000)
Special IssueRealism In Theatre
Symposium: What is Realism in Theatre?
KAMIYAMA Akira, NAGATA Yasushi, MÔRI Mitsuya, SAITÔ Tomoko, SETO Hiroshi
Introduction
1.The Concept of Realism in Theatre
2.Socialist Realism as Rhetoric
3.Realism in the History of Theatrical Style
4.Realism after Modernism
5.Afterword

Treatises in the Special Issue
  • What is “Realism” in Theatre? : Büchner and Brecht   ICHIKAWA Akira
  • Self-consciousness and Playfulness in Realist Drama     ODANAKA Akihiro
Treatises
  • A Study of Narrative in Sekkyô-shôhon    KIM Gyeongran
  • Skepticism of Comedy: The Taming of the Shrew and the Playhouse    NAKAMURA Yuki
  • Impersonation and Exclusion: The Poetics of Culture in Le Bourgeois
    gentilhomme by Molière   YABASE Tôru
  • Introduction of Obscurity: Reinhardt’s Acting Method   ÔBAYASHI Noriko
Treatises
Editor:   MÔRI Mitsuya  +Guest editors of the special issue:   SETO Hiroshi