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• The Quest for Salvation in the Plays of AKIMOTO Matsuyo    David GOODMAN
• KISHIDA Rio’s Tsui no Sumika Kari no Yado : The Emperor System, Gender,
  and Nationalism   ANAN Nobuko
• ICHIDÔ Rei: Metatheatre in the 1980s   NISHIMURA Hiroko
• NGAI Ai’s “Conventional Theatre” : Allegorical Comedy of Manners    SAITÔ Tomoko
• Deconstructing Narrative: KISARAGI Koharu and her Subject-Position as a
  Woman Playwright   TONOOKA Naomi
• WATANABE Eriko in the 1980s    YUKI Sôichi
• “The Earth is Female”: Feminist Theatre in America    HORI Mariko
• Women’s Solidarity in the Latin American Theatre Scene    YOSHIKAWA Emiko
• Reading OKADA Yachiyo’s A Boxwood Comb: Influences of MORI Ôgai and
  KINOSHITA Mokutarô   HAYASHI Hirochika
• HASEGAWA Shigure’s Sakura-fubuki    TERADA Shima
• An apple Pie Afternoon (Appurupai no gogo) by ÔSAKI Midori    MORII Naoko
• TANAKA Sumie’s A Woman Who Beats the Drum    HESHIKI Shôko
• The Image of Fluttering Cherry Blossoms in the World of the New Noh Play,
  Fumigara   ITÔ Maki

• <Camp> Appropriating or Appropriated: Mae West in the 1930s and 1970s    SAKAI Takashi

• The complete memorandum record of my father Shigetoshi KAWATAKE, who was actually involved in the censorship of Shochiku Kabuki by GHQ during the American Occupation in Japan   KAWATAKE Toshio