The 43th,2011 |
SAITÔ Tomoko, 19 seiki Amerika no popurâ shiatâ: Kokuminteki aidentiti no keisei [The American Popular Theater in the 19th Century: The formation of National Identity], Ronso Sha ODANAKA Akihiro, Gendai engeki no tisô: Furansu fujôrigeki seisei no kiban o saguru [The Layers of the Modern Theater: A Search for the basis of French absurd drama], Perikansha Publishing |
The 42th,2010 | ÔZASA Yoshio, Shin Nihon gendai engeki shi [New Chronicle of Contemporary Japanese Theatre], Chuokoron-Shinsha |
The 41th,2009 | IMANISHI Masaaki, Sheikusupia geki to zuzô gaku: Butai kôzu, bamen kôsei, gengo hyôshô no shiten kara [Shakespeare Dramas and Iconography: From the viewpoint of Stage Composition, Scene Structure and Language Expression], Sairyusha |
The 40th,2008 |
AMANO Fumio, Zeami ga ita basho: Noh taiseiki no Noh to Noh yakusha o meguru kankyô [ Zeami's Place: Golden Age of Noh and the Surroundings of Noh Actors], Perikansha Publishing Encouragement Award: KOBAYASHI Kaori, Jajauma tachi no bunka shi: Sheikusupia jôen to onna no hyôshô [The Cultural History of Shrews: The Presentation of Shakespeare Dramas and the Representation of Women], Nan'un-do |
The 39th,2007 |
NAKAMURA Tetsurô, Kabuki no kindai: Sakka to sakuhin[The Modern Era of Kabuki: Writers and Their Works], Iwanami Shoten KAMIYAMA Akira, Kindai engeki no raireki: Kabuki no Isshin Nishô [Origins of Modern Theatre: Two Separate Lives of Kabuki], Shinwasha |
The 38th,2006 |
MIYAMOTO Keizô, Kamigata nôgaku shi no kenkyû [Studies on the History of Nôgaku in Kansai area], Izumi Shoin SETO Hiroshi, Chûgoku wageki seiritsu shi kenkyû [Originand Development of Huaju(Chinese Spoken Drama)], Tôhô-shoten |
The 37th,2005 | ISHIZAWA Shûji, Inori no kakehashi: Hyôden Tanaka Chikao [The Bridge of Prayers: Biography of TANAKA Chikao], Hakusuisha Publishing |
The 36th,2004 | No Recipient |
The 35th,2003 |
NISHIMURA Hiroko, Sanjo no senshi: Nihon kindaigeki no doramaturugî [The Weaving Yarn of a Sericultural Girl: Dramaturgy of Japanese Modern Theatre], Kanrin Shobo SATÔ Eri, Kabuki·Niwaka kenkyû [Studies on Kabuki and Niwaka(improvised comedy)], Shintensha Publishing |
The 34th,2002 | KOBITSU Matsuo, Nippon shingeki rinen shi, Zoku meiji chûki hen: Meiji no engeki kairyô undô to sono rinen [Chronicle of the Principles of Japanese Shingeki (plays written in modern style), Vol.2, The Mid-Period of the Meiji Era: Theatre Reform Movement in Meiji Era and its Principle], Hakusuisha Publishing |
The 33th,2001 | TAKEI Kyôzô, Wakashu kabuki·Yarô kabuki no kenkyû [Studies on Wakashu Kabuki and Yarô Kabuki(two early stages of Kabuki)] , Books-yagi |
The 32th,2000 |
INOUE Yoshie, Kindai engeki no tobira o akeru: Doramaturugî no shakaigaku[Opening the Door to Modern Theatre: Sociology in Dramaturgy], Shakai Hyoron Sha OGITA Kiyoshi, Kamigata ban kabuki kankei ichimai zuri kô [Thoughts on Kabuki Related Publications Printed on a Single Sheet of Paper, Published in Kansai Area], Seibundô |
The 31th,1999 | 1999 TAKEUCHI Michitaka, Kinsei hôgaku kô [Thoughts on Pre-Modern Japanese Music], Nansôsha |
The 30th,1998 | No Recipient |
The 29th,1997 | No Recipient |
The 28th,1996 | NOMURA Takashi, Gikyoku to butai [Plays and Stages], Ribloport TORII Fumiko, Kinsei geinô no hakkutsu [Discovery of Pre-Modern Performing Arts], Bensei Publishing |
The 27th,1995 | MATSUZAKI Hitoshi, Kabuki·Jôruri·Kotoba [Kabuki, Jôruri, and their Terminology], Books-yagi |
The 26th,1994 |
SHIRAKATA Masaru, CHIKAMATSU jôruri no kenkyû [Studies of CHIKAMATSU Jôruri], Kazamashobô TAKASHIMA Kuniko, Nijusseiki amerika engeki: Amerika shinwa no kaibô [American Theatre of the 20th Century: Anatomy of American Myths], Kokushokankokai |
The 25th,1993 |
SUDA Etsuo, Wakasa sarugaku no kenkyû [On the Sarugaku-Noh in Wakasa District], Miyaishoten WADA Osamu, Achievements of introducing sources including Kaneko Ikkô nikki [Kaneko Ikkô's Diary] |
The 24th,1992 |
ÔOKA Kinji, Kansai shingeki shi [The History of Shingeki (plays written in modern style and their productions) in Kansai Area], Tohoshuppan The Study Group of The History of Ningyô Stages, Ningyô jôruri butai shi [The History of Ningyô Jôruri (traditional puppet theatre) Stages], Books-yagi |
The 23th,1991 | No Recipient |
The 22th,1990 |
UCHIYAMA Mikiko, Jôruri shi no jûhasseiki [The Eighteenth Century of the Jôruri History], Bensei Publishing YOSHIDA Setsuko, Edokabuki hôrei shûsei [The Collection of the Laws of Edo Kabuki], Ohfu |
The 21th,1989 | SUYAMA Akinobu and TSUCHIDA Mamoru, Kabuki ezukushi nenpyô [Chronology of Illustrated Kabuki Digest ], Ohfu |
The 20th,1988 | FUJINAMI Takayuki, Kindai kabuki ron no reimei: KOMIYA Toyotaka to OSANAI Kaoru [The Dawn of the Modern Kabuki Theories: KOMIYA Toyotaka and OSANAI Kaoru], Gakugei Shorin |
The 19th,1987 | YOKOMICHI Mario, Noh geki no kenkyû [Studies of Noh Drama], Iwanami Shoten |
The 18th,1986 | MORIYA Takeshi, Kinsei geinô kôgyô shi no kenkyû [Studies of the History of the Production of Pre-Modern Performing Arts], Koubundou |
The 17th,1985 | MÔRI Mitsuya, Ipusen no riarizumu: Chûki mondaigeki no kenkyû [Realism of Ibsen: Study of His Mid-Period Problem Plays], Hakuhôsha |
The 16th,1984 | SUGAI Yukio, Engeki sôzô no keifu: Nihon kindai engeki shi kenkyû [The Genealogy of Theatrical Creation: Study of the History of Japanese Modern Theatre], Aoki Shoten |
The 15th,1983 |
SASAYAMA Takashi, Dorama to kankyaku: Kankyaku hannô no kôzô to gikyoku no imi [Dramas and Audience: Structure of Audience Reaction and the Meaning of Drama], Kenkyusha Publishing Association of the Pre-Modern Chronology of Gidayû Productions, Gidayû nenpyô kinsei hen [The Pre-Modern Chronology of Gidayû Productions], five volumes, Books-yagi |
The 13th,1981 | MATSUMOTO Shinko, Meiji engeki ron shi [The History of Theatre Theories of the Meiji Era], (Engeki Shuppansha) |
The 12th,1980 | TOSHIKURA Kôichi, Zokuzoku kabuki nendaiki·Kon [Kabuki Chronicle Vol.3, Part 2], Engeki Shuppansha |
The 11th,1979 | 1979 ISHII Junzô, The editing and publishing of Geinô [Performing Arts] |
The 10th,1978 | The Study Group of Kabuki Reviews, Kabuki hyôbanki shûsei [The Collection of (Pre-Modern) Kabuki Reviews], ten volumes, Iwanami Shoten |
The 9th,1977 | YAMAZAKI Kôsei, Hikiyama ningyô gi genjô to kenkyû [The Current Status and Studies of Puppets on Festival Cars], Toyo- shuppan |
The 8th,1976 | GOTÔ Hajime, Nôgaku no kigen [Origin of Nôgaku], Mokujisha |
The 7th,1975 | TÔYAMA Shizuo, Nisshô engeki ron [Day-Light Theatre], Mr. TÔYAMA's private printing |
The 6th,1974 | ÔYAMA Isao, Kindai Nihon gikyoku shi [The Modern History of Japanese Dramas], four volumes, Publishing Association of the Modern History of Japanese Dramas |
The 5th,1973 | OGASAWARA Kyôko, Kabuki no tanjô [The Birth of Kabuki], Meijishoin |
The 4th,1972 | Joint Studies, with TSUNODA Ichirô as the representative, Nôson butai no sôgôteki kenkyû: Kabuki, ningyô shibai o chûshin ni [Comprehensive Study of Farming Village Stages: On Kabuki and Ningyô Jôruri (traditional puppet theatre)], Ohfu |
The 3rd,1971 | IMAO Tetsuya, Henshin no shisô: Nihon engeki ni okeru engi no ronri[Thoughts of Transformation: Logic of Acting in Japanese Theatre], Housei University Press |
The 2nd,1970 | 1970 KOBATAKE Motoo, Engeki gaku no kihon mondai [Basic Issues of Theatre Studies], Kazamashobô |
The 1st,1969 | MUROKI YatarÔ, Kinpira jôruri shôhon shù [Certified Texts of Kinpira Jôruri], three volumes, Kadokawa |