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• Dialogue and Narrative    SUGA Yasuo
• Acting and Feeling / Emotion    YAMANOUCHI Tomio
• The Structure of Rhythm in a Dramatic Performance    TAKASHI Akinami

• On "Kasama no Noh": A Viewpoint of Noh Plays around Shôgun in the Period of Establishment of Noh    AMANO Fumio
• To Read Aotozôshi hana no nishikie: Mainly the Scene "Hamamatsuya oku-zashiki"
  IMAO Tetsuya
• The Personality of ICHIKAWA Danjûrô the First OGASAWARA Kyôko Kabuki Buyô (Kabuki Dance)    SUWA Haruo
• Changes in 'Shunkan' Figures: The Tale of the Heike, Noh, Ningyô-jôruri, Kabuki, and KURATA Hyakuzô's Shunkan    WATANABE Tamotsu
• Talking Shows in the Precinct of 'Ôsaka Tenmangû' Shrine in the late Edo Era
  NAKAGAWA Katsura

• Hyôryûkidan seiyô kabuki: A Turning point of the Modernization of Kabuki    KAWATAKE Toshio
• The "Edo" aspect of Naturalism in Japan: Hôgetsu, Ryûgai and Shinpa People
  KAMIYAMA Akira
• The Passive Hero in KINOSHITA's Shigosen no Matsuri (The Rite of the Meridian): On the Characteristics of 'Taira no Tomomori' and 'Kagemi'    KIKUKAWA Tokunosuke

• The Origin of Roman Drama: A Reconsideration KIMURA Kenji Theatre as Virtual Reality Media: Concerning Pierre Corneille's L'Illusion comique    YABASE Toru
• "The Play of the Japanese" in Switzerland: Between Theatre studies and Folklore
  MIYASHITA Keizo
• Dostoevsky and Chekhov    YAMADA Kohei
• The Development of Augusto Boal's Theatre    SUZAKI Asako